Where is extraction in photoshop cs5

Facial recognition is used to identify that it's a Signup for my best weekly updates and get access to e-books, brushes, presets, cheat sheets, actions.. Email Address:. The Ultimate Photoshop Resource. Customer Support Cart. Toggle navigation. If you are on Photoshop CS5 or newer, please refer to our newer tutorials instead.

Now take the bucket tool and fill the area you want to keep. Click OK. Step 4 There will be a few areas that have been accidently deleted.

Step 5 In the history pallette, click next to the image before the extract state. Get in-the-know! CS6 Superguide Join our list to receive more tutorials and tips on Photoshop. Thanks for all the steps, I am sure it will help any one get better in Photoshop! Leave a Reply Cancel reply Your email address will not be published. And, I can see that it is pretty close except about right about here where the arm is.

There you can see that it got shaved off. Now, what do I want to do. Do I want to keep the background, or do I want to keep the image.

Well, in this particular case, I want to keep the image because I want to take that image and put into that background that I want to show you here earlier. Now, here is the interesting thing. So, what I am going to do for simplicity, is to take this image and inverse it.

Meaning we are going to take these little ants that are traveling around this background and make it travel around the image. That means that the image now is selected and not the background. Here we have the image being traveled by these little ants in the selection. And, the image is now in there. If you look over to your layer side, you still have the background. And in the background layer, you have the image now as the top layer. This is almost like a cake.

You have a background layer which is a picture unto itself. If I took this eye and closed it, you will see where my little finger indicator there is touching the eye and appears when closing it, and the Diana image disappears.

So, they are two independent pictures—one sitting on top of the other. I see little artifacts happening up here, and if wanted to, I can take the eraser tool and move my size down to another size and touch it up. Erase it. Go in there and take out those black areas.

Placing your finger and holding down the shift key, you grab the corner and actually reduce it down proportionally and now we have her down to a size we can handle. Hold down the shift key and bring that corner in. Because when I grabbed it, it became a double headed arrow pointing up and down perpendicular to each other.

Now, I am taking her down to a scale that might work and there we have it. Set her down. And now she is a part of the picture as a statue.

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Adobe Photoshop Lightroom 6 Topaz Clean for Adobe Photoshop 3. Adobe Photoshop CS3 Serial Adobe Photoshop Extended CS6 Adobe photoshop cs6 extended v Adobe Photoshop Elements 11 Adobe Photoshop cs2 9. Poor masking, poor dialog based implementation. It was the kind of feature dreamed up by someone with no in depth knowledge of Photoshop. Who as a result most probably shouldn't have been employed at Adobe in the fist place. Gosh, I must have very low standards for my masking, I liked the Extract tool.

The general consensus is the new tools in CS5 are a vast improvement. I am encouraged, tell me mark, moving forward, aside from the inexcusable failings of some engineers on the CS3 team, how would approach coaching some one who is having trouble with the new refine mask tool??

I've tried many times but have been unable to work as efficiently with Refine Edge on the typical masking work done here. I too have watched the videos, and given it my best shot.

If only we could still have it available to use in PS CS5. I think the main place where Refine Edge falls down for me is being unable to guide the small decision "crossroads" that probably only a human can do.

I have tried the Refine Edges filter and am still unimpressed. The Extract filter was far from perfect, but it was very precise, especially if you use do touch-ups with the History brush after using it.

I found a link with information on how to copy it to CS5 from CS3. Thanks, Hector. I did have my hopes up, but already had no luck trying to successfully load the old plug-in to PS CS5 on Mac Unfortunately there's no special trick revealed in the OReilly post.

When I use the Refine edge or the refine mask, the new touted tools for detailed extractions, I am universally confronted by the universal NO symbols, the circles with the slashes through them. What stupid thing am I doing? How do I get the circles to go away and the refine edge tool to work as advertised? If I can't find a good tutorial video, perhaps I'll record my own little demo Tom, would you please take a screenshot of the entire Photoshop application window when these "NO" circles appear?

I find the refine edge tool so counter-intuitive that it makes me want to scream. I m willing for it to be user error but it is still really complex with its contingencies.