Is it possible to sing higher

When singing outside of their normal vocal range, some beginning vocalists tend to either force more air through the throat, which can jam up the vocal cords, or restrict air flow, which can lead to a breathy sound. Maintaining proper technique will help you avoid either of these situations.

You may also find it helpful to start at the top note of your vocal exercises from time to time. Starting from the top will prevent your voice from getting too heavy. It will also help you keep your larynx low and break the cycle of always having to move from your chest voice to head voice higher register.

Start small, for example, aiming to expand your voice by one half-step both at the bottom and top of your range. It may take you a month to reach your goal, or it may take you a year. Just like you would warm up your muscles before exercise, you should always warm-up your vocal cords before singing. One of the gentlest ways to start warming your voice up is with a hum. We recommend starting with some major pentascales and going up by a half step as high as you comfortably can.

Repeat the process, this time going down by a half step as low as comfortably possible. You can also hum minor pentascales, arpeggios, octaves, or any other pattern. Just hum until your vocal cords start to feel warm and ready. Once you feel ready, start opening to easy vowel sounds and slowly work your way into more involved exercises. Doing regular vocal exercises is the fastest way to increase your vocal range. We recommend doing exercises for around 30 minutes every day. You can even do shorter sessions a few times in one day, but daily practice is essential.

The type of exercises vocal exercises you decide to do are entirely up to you! Some exercises you can try are. Another tip for expanding your range in warm-ups is to try to hit your desired note for a very short amount of time , and gradually work up to holding it out longer. This is where scales come in handy because you can simply touch the pitch and come back down, rather than trying to hold it out of thin air. A great technique for circumventing this problem is vowel modification.

You can apply this technique to tricky notes or phrases in your music. When you come across a problem area, experiment with changing how you articulate the vowel to help make it more comfortable to sing.

Another way to troubleshoot a challenging note is to try substituting the lyrical text with vowels. Once you can sing the notes comfortably, add your text back in. You can also use vowel modification within words. Certain vowels and words are just going to be harder to sing in different registers.

So if you begin to feel discouraged from time to time, focus on all the good things you are doing for your voice in the process of expanding your range. Our last and most important tip for expanding your range is to always be safe!

Don't remove the supported abdominal feeling otherwise you will err on the other side which is to try to control the sound with your neck muscles. Don't do that. Keep a supported feeling but while using less air, see if you can find that lighter sound.

Let it crack if it wants to. The cracking is a glimpse of what the lighter sound quality is supposed to be. So let that happen while you are training. Find a vocal coach who understands this phenomenon. Pushing just forces the thicker, outer muscles of the larynx to take over, because the lighter, thinner edge muscles the ones that make head voice and tonal brilliance unable to hold back the air and vibrate to make the sound.

You reach a point where you cannot get any higher and the voice just stops. Search for "head voice", and "vocal registration" and terms like that. It's the head voice that you are missing, that will add brilliance even to your low register. Strengthening head voice the thin edges of the cords will make the low stuff sound better and will allow you to go higher. It will not turn you into a tenor or take away your low notes. I am still not sure about how far you can increase your vocal range.

But a typical baritone who practices on increases his range can get up to G4 A4 being the extreme. Me being a lyric baritone I managed to get up to A4 with a slight strain, I can hit A4 sharp without falsetto but its just full straining and the note itself is very shaky and I can't hold it for long. I am not sure how far a baritone's range can increase but I heard there are limits to how far one can increase his range.

Anyone can sing higher with the right practice and commitment. I've found that the best way to practice is to sing along with songs that touch on notes which are just out of my comfortable range.

This means that I have to strain a little bit but it's not enough to do real damage. But the truth is, in order to get higher you have to strain some. It shouldn't be painful, but you may feel a slight ache. Drink lots of water, and suck on ginger root anti inflammatory. Sign up to join this community. The best answers are voted up and rise to the top.

Stack Overflow for Teams — Collaborate and share knowledge with a private group. Create a free Team What is Teams? Learn more. Can anyone learn to sing higher? Ask Question. Asked 9 years, 6 months ago. Active 1 year, 10 months ago. Viewed 50k times. Improve this question. Alexander Troup 7, 6 6 gold badges 29 29 silver badges 63 63 bronze badges. You haven't mentioned how old you are.

For men, their voices keep maturing across a long period of time—well into their late 20's or early 30's. Moreover, just because you don't know how to sing high doesn't mean you can't. It may be a matter of training, or it just might mean you're really a "power bass. No, I mean "develops," with changes at both ends possible. My own range expanded by a fourth upward and a third downward during that time span.

Other professional singers have talked about their range expanding over time as well, on both ends. I increased my range dramatically by doing nasal tones and then over time learning to blend it with falsetto. So avoiding falsetto sounds a bit off. I am in my 20's and have a Gaz Coombes style voice. Add a comment. Active Oldest Votes. Improve this answer. Thomas Bryla Thomas Bryla 2 2 silver badges 6 6 bronze badges.

Also, helps if your teacher has a singing style similar to yours. But here are some things I have learned from years of casual choral singing as a low female voice trying to do better I usually sing tenor : Breath support makes a big difference.

When it hurts, stop for a while. Don't wait for it to get bad. Monica Cellio Monica Cellio 1, 1 1 gold badge 13 13 silver badges 30 30 bronze badges. Marian Marian 5 5 silver badges 6 6 bronze badges. Domingo, for instance, was originally a baritone! Nature may have given people a lot more talent than they know. Interesting point about Domingo.

Do you think think bodes well for JohnJamesSmith? Good question. But, as I said, he could just as easily be a power bass that can't really have the upper range. It depends a lot on how old JJS is, what kind of sound profile he has, and how important it is for him to extend his range upward.

Cameron Cameron 51 1 1 silver badge 1 1 bronze badge. Paul Paul 51 1 1 silver badge 1 1 bronze badge. It seems though that with practice and proper technique, you could expand your range somewhat. That's what I said. Identify what your natural voice type is, and how to work with the range you've got. A person who is a bass can never sing tenor. A person who is a tenor can never sing bass.

But you can learn to expand the range of notes you can sing based on your voice type: bass, baritone or tenor. WheatWilliams: Luke said that it's possible to expand your range some though, so that even a bass could still grow to be able to sing a bit higher over time. WheatWilliams: Voices develop over time. A bass might not be able to sing tenor right now , but that doesn't mean he will never be able to sing tenor.

I've moved up from high baritone to first tenor in the last few years, so I know it's possible! First off, I really want to know if JohnJamesSmith is indeed a bass, and only a lesson or two with a professional voice teacher will answer that question for him. Second, I have to disagree with aeismail because his experience is unique to baritones. Some lucky baritones can also sing tenor with a good deal of training. Baritones have the widest range of all male voices. But a real tenor can never sing bass, and a real bass can never sing tenor.

My point is "know thyself" and then start working on expanding your range within the context of the voice part you were born to have. Show 1 more comment. Luke, that's just an approximation of the upper limit. The mixed rein is really tricky and it makes sense bridging it from two solid shores. User User 1, 9 9 silver badges 8 8 bronze badges.

Meaningful Username 6, 3 3 gold badges 26 26 silver badges 48 48 bronze badges. But always remember this: None of these exercises should hurt. A lot of people think that in order to get those high notes, they just need to push harder.

So if you feel any pain or tension in these exercises, you are probably doing them wrong. The lip trill is one of the best exercises to expand your vocal range. And almost anyone can do it. The biggest reason to do lip trills is they let you sing smoothly from the bottom to the top of your voice without straining. One common way that singers strain is by raising or lowering their tongue when they sing different notes.

You can feel this muscular tension in your tongue. You should feel that as you swallow, the muscles underneath your chin activate and push down against your thumb. But many singers raise their larynx unconsciously when they sing high notes. And if the larynx is too high on your high notes, it can actually cause you to strain.

You should notice that the larynx rises as you swallow. You should notice that even on high notes, your voice is staying more relaxed.