Who is lautrec

His debt to the Impressionists, in particular the more figurative painters Manet and Degas, is apparent. In the works of Toulouse-Lautrec can be seen many parallels to Manet's bored barmaid at A Bar at the Folies-Bergere and the behind-the-scenes ballet dancers of Degas. He excelled at capturing people in their working environment, with the colour and the movement of the gaudy night-life present, but the glamour stripped away.

He was masterly at capturing crowd scenes in which the figures are highly individualised. At the time that they were painted, the individual figures in his larger paintings could be identified by silhouette alone, and the names of many of these characters have been recorded.

His treatment of his subject matter, whether as portraits, scenes of Parisian night-life, or intimate studies, has been described as both sympathetic and dispassionate. Toulous-Lautrec's skilled depiction of people relied on his painterly style which is highly linear and gives great emphasis to contour. He often applied the paint in long, thin brushstrokes which often leave much of the board on which they are painted showing through.

Many of his works may best be described as drawings in coloured paint. His mother contributed funds for a museum to be built in Albi, his birthplace, to house his works. From Wikipedia. Report error on this page. Edouard Vuillard — Walter Richard Sickert — Raoul Dufy — Sir Gerald Kelly — Henri Matisse — Aubrey Beardsley — John Singer Sargent — Jean Marchand — Toulouse-Lautrec was academically trained, but soon abandoned the conventions of perspective in favour of avant-garde experiments, greatly influenced by Eastern aesthetics Japonisme.

He settled in the Montmartre district in , at the time a low-rent haven where artists, bohemians, and the performers, patrons and prostitutes who frequented the nightclubs in the area, all lived and interacted in a bustling environment. Toulouse-Lautrec associated with all kinds of people, from the poor to the rich and famous. His early paintings focused on the models themselves, but from onwards he chose to place his subjects in nightclubs, brothels, bars, racetracks and other social environments.

When the Moulin Rouge cabaret opened in , Toulouse-Lautrec was commissioned to produce a series of posters for it, which allowed him to make a living separate from the regular income he received from his family.

Toulouse-Lautrec was a severe alcoholic and he ended up in a sanatorium in After he was released, he returned to his Paris studio and also travelled throughout France, while his physical and mental health started to decline due to his alcoholism and syphilis which he had contracted. Lautrec presents her neither as a moralizing symbol nor a romantic heroine, but rather as a flesh-and-blood woman the dominant whites and reds in the composition reinforce this reading , as capable of joy or sadness as anyone.

Michael, Cora. Ives, Colta. Toulouse-Lautrec in the Metropolitan Museum of Art. New York: Metropolitan Museum of Art, See on MetPublications. Toulouse-Lautrec and Montmartre. Exhibition catalogue. Washington, D. Wittrock, Wolfgang.